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b. 659-660
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composition: Op. 31, Scherzo in B♭ minor
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Just like in b. 208-209, in the main text we add long accents after b. 200-201. The addition – with the use of short accents – was also introduced in GE2 (→GE3). category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 660
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we give a fingering that was probably written by Chopin in FEH, essentially compliant with the Chopinesque entry in FED. In this situation, the authenticity of a different fingering, given by Fontana in EE, seems to be out of the question. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Differences in fingering , Annotations in FEH |
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b. 661-689
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composition: Op. 11, Concerto in E minor, Mvt I category imprint: |
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b. 662-663
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composition: Op. 31, Scherzo in B♭ minor
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The tie of c2, probably overlooked in A (→FC→GE1) in b. 211-212 (the discussed bars are a repetition thereof), was added by Chopin in the proofreading of FE (→EE) as well as – probably by analogy with b. 79-80 – in GE2 (→GE3). category imprint: Differences between sources; Corrections & alterations issues: GE revisions , Authentic corrections of FE |
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b. 663
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composition: Op. 11, Concerto in E minor, Mvt I
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The fingering of the L.H. was added by Chopin most probably in the last phase of proofreading of FE (→EE). category imprint: Differences between sources issues: Authentic corrections of FE |
