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Articulation, Accents, Hairpins

b. 23

composition: Op. 12, Variations in B♭ major

Wedge to a2 in FE

No marks in GE

2 wedges in EE

2 wedges suggested by editors

..

In the main text we suggest adding a wedge over f3. The next two such marks indicate the way the notes ending particular semiquaver groups should be played, both in this and the next bar, hence the omission of a respective mark over the first note of this kind must be considered an inaccuracy of notation. A wedge was also added in EE, whereas in GE the second mark was also overlooked, over a2.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , Inaccuracies in FE , Errors in GE

b. 25

composition: Op. 12, Variations in B♭ major

Wedge in FE

Staccato dot in GE

No markings in EE

..

The missing mark in EE is most probably an oversight. By contrast, the change of the wedge to a staccato dot in GE resulted from general revision carried out in this edition – see the note in bar 7.

category imprint: Differences between sources

issues: Errors in EE , GE revisions

b. 26

composition: Op. 12, Variations in B♭ major

Without slur or wedge in FE

Slur & staccato dot in GE

Slur & wedge in EE

..

In FE the second rhythmic group in the L.H. part is provided neither with a slur nor with a wedge, which is either the engraver's oversight or Chopin's inadvertence. The marks were added in GE and EE, yet in GE the wedge was changed to a staccato dot as part of general revision – see the note in bar 20.

category imprint: Differences between sources

issues: EE revisions , GE revisions

b. 41

composition: Op. 12, Variations in B♭ major

..

Two kinds of staccato markings present in FE (→EE), wedges and dots, very typical of Chopin in that period, were reduced by GE to one kind in the entire Variations – dots. This is what occurred in this bar: the wedge under the d1-f1 third in FE (→EE) was changed to a staccato dot in GE.

category imprint: Differences between sources

issues: GE revisions

b. 62

composition: Op. 12, Variations in B♭ major

Wedge in FE (→EE)

No markings in GE

Our suggestion

..

We assume that the wedge in FE (→EE) was supposed to refer to both octaves or that the other one was forgotten. However, this articulation should undoubtedly be implemented by both hands, hence in the main text we suggest the supplemented FE text (→EE). The absence of the mark in GE is most probably an oversight. See also the note in bar 60.

category imprint: Differences between sources; Editorial revisions

issues: Inaccuracies in FE , Errors in GE