mUltimate Chopin

Op. 12, Variations in B♭ major

Text Compare Notes Sources Description
Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Shorthand & other
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main
Undo Clear

Shorthand & other

b. 18

composition: Op. 12, Variations in B♭ major

Annotation in FEO

No teaching annotations in FE (→GE,EE)
..

The line illustrating the direction of the separated accompaniment voice was added – most probably by Chopin – in FEO.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEO

b. 39

composition: Op. 12, Variations in B♭ major

 &  in FE (→EE)

2  in GE

 suggested by the editors
..

The missing augmentation dot to the second d crotchet in FE (→EE) is most probably a mistake, corrected in GE – in the original opera score this d is simply a dotted minim. Therefore, in the main text we propose this notation with a minim as it is simpler and clearer.

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: Errors in FE , GE revisions

b. 166

composition: Op. 12, Variations in B♭ major

No annotations in FE1 (→GE,EE)

Annotation in FEO
..

The line showing the course of the separated accompaniment voice was added by Chopin in FEO.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEO