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b. 112-116

composition: (Op. 4), Sonata in C minor, Mvt I

No fingering in GE (→FE,IE)

Fingering in EE

..

In the main text we omit the inauthentic L.H. part fingering added by EE in bar 112 and 115-116.

category imprint: Differences between sources

issues: EE revisions

b. 113-122

composition: (Op. 4), Sonata in C minor, Mvt I

..

In the main text we keep the A beaming, that is quavers grouped in pairs. In GE (→FE,EE,IE) the two-quaver beams were replaced by standard four-quaver beams. A similar change was performed by the Viennese publisher of the Variations in B, Op. 2, bars 208-239. The same applies to bars 131-138.

category imprint: Differences between sources

issues: GE revisions

b. 113-114

composition: (Op. 4), Sonata in C minor, Mvt I

 in A (→GEIE)

Various  in A, different interpretation

Longer  in FE & EE

..

In A the range of the  hairpin in bar 114 is unclear – it starts from the 5th R.H. part quaver or from the syncopated L.H. minim. The comparison with the similarly structured preceding bar supports the latter, which we adopt to the main text. This is how it was reproduced, more or less, in GE (→IE) as well. The prolonged marks in FE and EE resulted from a routine approach of the engravers of these editions.

category imprint: Graphic ambiguousness; Differences between sources

issues: EE revisions , Scope of dynamic hairpins , FE revisions , Inaccuracies in A

b. 115-116

composition: (Op. 4), Sonata in C minor, Mvt I

..

In the main text we include the cautionary naturals to c2 and c3 in bar 115 and to d1 and d2 in bar 116, added by GE (→FE,EE,IE).

category imprint: Differences between sources

issues: GE revisions

b. 115-116

composition: (Op. 4), Sonata in C minor, Mvt I

..

In A Chopin did not write a few necessary accidentals – a  to the top note of the 6th quaver in bar 115 (d3),  to the top notes of the 2nd and 6th quaver in bar 116 (b2 and a2) and a  to the bottom note of the 7th quaver in bar 116 (f1). The patent inaccuracies were corrected in GE (→FE,EE,IE).

category imprint: Interpretations within context; Differences between sources

issues: Accidentals in different octaves , GE revisions , Inaccuracies in A