



b. 112-116
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composition: (Op. 4), Sonata in C minor, Mvt I
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In the main text we omit the inauthentic L.H. part fingering added by EE in bar 112 and 115-116. category imprint: Differences between sources issues: EE revisions |
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b. 113-122
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composition: (Op. 4), Sonata in C minor, Mvt I
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In the main text we keep the A beaming, that is quavers grouped in pairs. In GE (→FE,EE,IE) the two-quaver beams were replaced by standard four-quaver beams. A similar change was performed by the Viennese publisher of the Variations in B category imprint: Differences between sources issues: GE revisions |
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b. 113-114
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composition: (Op. 4), Sonata in C minor, Mvt I
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In A the range of the category imprint: Graphic ambiguousness; Differences between sources issues: EE revisions , Scope of dynamic hairpins , FE revisions , Inaccuracies in A |
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b. 115-116
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composition: (Op. 4), Sonata in C minor, Mvt I
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In the main text we include the cautionary naturals to c2 and c3 in bar 115 and to d1 and d2 in bar 116, added by GE (→FE,EE,IE). category imprint: Differences between sources issues: GE revisions |
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b. 115-116
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composition: (Op. 4), Sonata in C minor, Mvt I
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In A Chopin did not write a few necessary accidentals – a category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |