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b. 632-633
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composition: Op. 39, Scherzo in C♯ minor
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The slur's ending in EE may be inaccurate, yet pianistically justified. category imprint: Differences between sources |
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b. 632-634
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composition: Op. 39, Scherzo in C♯ minor
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None of the sources provides correct pedalling in these bars. No category imprint: Differences between sources issues: Inaccuracies in FE , No pedal release mark , Errors of GC |
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b. 632
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composition: Op. 11, Concerto in E minor, Mvt I
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Stylistically speaking, the version of GE is absolutely possible – such melodic sequences can be quite frequently found in Chopin's pieces (cf. bar 610 or bar 66 in the 2nd mov. as well as, e.g. the Ballade in G Minor, Op. 23, bar 45 and 47). However, in this case, nothing supports the authenticity of that version – in similar contexts, in spite of the step of augmented second, Chopin used a harmonic note in bar 636 as well as in bar 624, 628 and 640. category imprint: Differences between sources issues: GE revisions |
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b. 632-657
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composition: Op. 31, Scherzo in B♭ minor
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In both manuscripts the next 64 bars are written in an abbreviated manner as repetition of b. 181-244. Chopin restricted himself to marking the empty bars and indicated the numbers of two pages of the manuscript, numbering 32 bars each, that are to be taken into account again as b. 632-695. category imprint: Differences between sources; Source & stylistic information issues: Abbreviated notation of A |
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b. 633
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composition: Op. 39, Scherzo in C♯ minor
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No staccato dot in EE most certainly cannot be the final version. category imprint: Differences between sources |
in 
(accordingly in bars 633 and 635). In 
2 in 
