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Op. 12, Variations in B♭ major

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b. 209

composition: Op. 12, Variations in B♭ major

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In the main text we omit the unnecessarily repeated accidentals in the 2nd half of the bar – the  to e3 and the  to f3.

category imprint: Editorial revisions

issues: Cautionary accidentals

b. 210

composition: Op. 12, Variations in B♭ major

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In the main text we add a cautionary  to e2.

category imprint: Editorial revisions

b. 211

composition: Op. 12, Variations in B♭ major

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In FE the  raising f1 to f1 was omitted here. This patent mistake – see the R.H. part – was corrected both in GE and EE.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , GE revisions , Omission of current key accidentals

b. 212

composition: Op. 12, Variations in B♭ major

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In FE the  lowering e2 to e2 was omitted here. This patent mistake, disturbing the progression running from bar 209, was corrected both in GE and EE.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , Omissions to cancel alteration , GE revisions

b. 212

composition: Op. 12, Variations in B♭ major

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The last R.H. chord is devoid of accidentals, which results in c2-e()2-f2-a2. This is a patent mistake, as there is no doubt that it is a typical dominant seventh chord in B that should be used here. Both necessary naturals, to the outermost notes (c2 and a2), were added in GE, while in EE only the bottom one.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , Omissions to cancel alteration , GE revisions , Errors repeated in EE