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p. 9, b. 145-165
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In the main text, we change, by way of exception, the notation of the tied f quaver in bar 146. The version with a crotchet is typical of Chopin; he would often write down such notes with the help of an additional rhythmic value exceeding the scope of a bar (e.g. at the beginning of the Etude in A, Op. 10 No. 10). In this case, the need to hold this f note to the next bar, which becomes the bass note of the next chord, can be easily overlooked in the original version.
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category imprint: Editorial revisions
issues:
notation: Rhythm
Missing markers on sources:
FE1, FEO, GE1, GE2, EE1