mUltimate Chopin

(Op. 4), Sonata in C minor, Mvt IV

Text Compare Notes Sources Description
Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Pitch
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main
Undo Clear

Pitch

b. 363-364

composition: (Op. 4), Sonata in C minor, Mvt IV

..

In A there is no  to the 4th quaver in bar 363 (e2) and to the last crotchet in bar 364 (a). Moreover, Chopin did not write a cautionary  to b at the beginning of bar 363. All the accidentals were added in GE (→FE,EE,IE).

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: Accidentals in different octaves , GE revisions , Inaccuracies in A

b. 364

composition: (Op. 4), Sonata in C minor, Mvt IV

..

category imprint: Editorial revisions

b. 365

composition: (Op. 4), Sonata in C minor, Mvt IV

..

At the beginning of the bar Chopin wrote in A (→GE→FE,EE,IE) a cautionary  to a. In the main text we also include the cautionary  to f2 added in GE (→FE,EE,IE).

category imprint: Differences between sources; Editorial revisions

issues: GE revisions , Cautionary accidentals

b. 368-369

composition: (Op. 4), Sonata in C minor, Mvt IV

..

In the main text we omit the unjustified (cautionary?) flats to a in bar 368 and to e1 in bar 369.

category imprint: Editorial revisions

issues: Cautionary accidentals , Last key signature sign

b. 370

composition: (Op. 4), Sonata in C minor, Mvt IV

..

In A the accidentals are only next to the first two quavers in the bar. The typical inaccuracy was clarified in GE (→FE,EE,IE).

category imprint: Interpretations within context; Differences between sources

issues: Accidentals in different octaves , GE revisions , Inaccuracies in A