mUltimate Chopin

(Op. 4), Sonata in C minor, Mvt IV

Text Compare Notes Sources Description
Page: 
Source: 
p. 18, b. 374-399
p. 1, b. 1-24
p. 2, b. 25-49
p. 3, b. 50-75
p. 4, b. 76-103
p. 5, b. 104-124
p. 6, b. 125-141
p. 7, b. 142-161
p. 8, b. 162-182
p. 9, b. 183-207
p. 10, b. 208-228
p. 11, b. 229-248
p. 12, b. 249-269
p. 13, b. 270-292
p. 14, b. 293-312
p. 15, b. 313-332
p. 16, b. 333-352
p. 17, b. 353-373
p. 18, b. 374-399
Main text
Main text
A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
FE2 - Revised impression of FE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
FE2 - Revised impression of FE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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  b. 393

from 2. quaver in A

 from 3rd quaver in GE (→FE,EE,IE)

 from 1st quaver, our alternative suggestion

In the main text we put the  over the 2nd quaver, in accordance with the A notation. However, it is highly likely that the indication is supposed to be in force from the beginning of the bar, and its position is an example of a manner that can often be found in Chopin's pieces, that is putting markings within their scope of validity (and not at the beginning). Cf., e.g. the Concerto in E minor, Op. 11, I mov., bar 16.

Compare the passage in the sources»

category imprint: Graphic ambiguousness; Differences between sources

issues: Inaccuracies in GE, Centrally placed marks

notation: Verbal indications

Missing markers on sources: A, EE2, EE1, IE1, GE1, FE1, FE2
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