



Rhythm
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b. 36-37
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In A, the double-dotted quaver e category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 52-53
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In GE1 (→FE) the tie sustaining f2 lacks an ending in bar 53 (on a new page). In EE1 (→EE2) that tie was entirely omitted. In GE2 (→GE3) and EE3 the tie is notated correctly. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in GE |
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b. 56-57
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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The tie running in A from b flat in the L.H. in bar 56 to b flat in the R.H. in bar 57 was omitted in GE1 (→FE→EE). This is a mistake, corrected in GE2 (→GE3). category imprint: Differences between sources issues: Errors in GE |
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b. 60
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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Chopin not always precisely notated the divisions between the voices. However, in this situation his notation is correct and exact from the point of view of voice-leading. Its simplification in GE (→FE→EE) must be therefore considered an inaccuracy. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 64-72
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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The erasures visible in A allow for the reconstruction of the initial rhythm of those bars. The accented notes on the 2nd beat were originally minims, just like in bar 62 and analogous bars. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A |
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