mUltimate Chopin

Op. 39, Scherzo in C♯ minor

Text Compare Notes Sources Description
Page: 
Source: 
p. 1, b. 1-47
p. 1, b. 1-47
p. 2, b. 48-98
p. 3, b. 99-158
p. 4, b. 159-198
p. 5, b. 199-238
p. 6, b. 239-270
p. 7, b. 271-306
p. 8, b. 307-347
p. 9, b. 348-398
p. 10, b. 399-446
p. 11, b. 447-484
p. 12, b. 485-528
p. 13, b. 529-565
p. 14, b. 566-604
p. 15, b. 605-649
Main text
Main text
GC - Gutmann's copy
EE - English edition
EE1 - First English edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
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Articulation, Accents, Hairpins
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No differences
GC - Gutmann's copy
EE - English edition
EE1 - First English edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
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  b. 47

 in EE

GC (→GE) and FE

As we adopt the rhythm of FE for our main text, we give the beginning of the  sign after that source as well. GC (→GE) have the same version. However, in our opinion it is the hairpin in EE that conveys better what Chopin probably intended (cf. bars 113 and 129). Similarly in bars 389-390.

Compare the passage in the sources»

category imprint: Differences between sources

issues:

notation: Articulation, Accents, Hairpins