mUltimate Chopin

Op. 10 No 12, Etude in C minor

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Page: 
Source: 
p. 1, b. 1-18
p. 1, b. 1-18
p. 2, b. 19-33
p. 3, b. 34-50
p. 4, b. 51-68
p. 5, b. 69-84
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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Graphic ambiguousness
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Pitch
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
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No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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copy link Main text

  b. 14

No signs in A (→FE→GE,EE)

  suggested by the editors

In the main text we give pairs of   hairpins following similar figures in bar 10 and analog., as well as identical figures in bar 64. In A both bars 14 and 54, in which there are also no dynamic marks in the L.H., fall at the beginning of the line and before a pair of bars of different figuration contour and accent layout in the R.H., which could have distracted Chopin.

Compare the passage in the sources»

category imprint: Editorial revisions

issues:

notation: Articulation, Accents, Hairpins

Missing markers on sources: FE1, FE2, FED, FEJ, FES, A, GE1, GE2, GE3, GE4, EE3, EE4
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