mUltimate Chopin

Op. 25 No 5, Etude in E minor

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Page: 
Source: 
p. 3, b. 49-68
p. 1, b. 1-23
p. 2, b. 24-48
p. 3, b. 49-68
p. 4, b. 69-88
p. 5, b. 89-107
p. 6, b. 108-138
Main text
Main text
FC - Fontana's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected reprint of GE1
GE1b - Flawed impression of GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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Graphic ambiguousness
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Pitch
Rhythm
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No differences
FC - Fontana's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected reprint of GE1
GE1b - Flawed impression of GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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  b. 58-60

Single-voice notation in FC (→GE) & EE

Two-voice notation in FE

The bottom voice, separated only in FE, was most probably added by Chopin in the proofreading of this edition.

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE

notation: Rhythm

Missing markers on sources: FC, FE1, FE2, FED, FEJ, FES, GE1, GE1a, GE2, GE3, EE1, EE2, EE3, GE1b
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