



Pitch
- « Previous
- 1
- 2
- 3
- 4
- Next »
b. 27
|
composition: Op. 25 No 7, Etude in C♯ minor
..
In FE there is no category imprint: Interpretations within context; Differences between sources issues: Errors in FE |
|||||
b. 33
|
composition: Op. 25 No 7, Etude in C♯ minor
..
The Chopin corrections visible in GC allow to state that the additional quaver of the accompaniment in EE is the original version, left in the base text to this edition most probably by inattention. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections in GC |
|||||
b. 38-39
|
composition: Op. 25 No 7, Etude in C♯ minor
..
The version of FE – the E minor chord twice – could have been introduced in the proofreading of FE and was accepted by Chopin during the lessons, which is proved by Chopin entries in FES and FED, performed in the direct neighbourhood of this place. We adopt it to the main text as the undoubtedly authentic and possibly the latest version. Its appearance in EE2 (→EE3) indicates the use of an FE copy while editing this impression (cf. the Etude in G
It is one of these places in which the later editorial and performance practice consolidated the non-authentic compilation of source editions with g category imprint: Differences between sources; Corrections & alterations |
|||||
b. 39
|
composition: Op. 25 No 7, Etude in C♯ minor
..
In GC, FE and EE1 (→EE2) there is no category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , GE revisions , Omission of current key accidentals , Annotations in FES |
|||||
b. 44
|
composition: Op. 25 No 7, Etude in C♯ minor category imprint: Differences between sources issues: GE revisions |
- « Previous
- 1
- 2
- 3
- 4
- Next »