Page: 
Source: 
p. 8, b. 75-84
p. 1, b. 1-12
p. 2, b. 13-22
p. 3, b. 23-32
p. 4, b. 33-44
p. 5, b. 45-54
p. 6, b. 55-64
p. 7, b. 65-74
p. 8, b. 75-84
p. 9, b. 85-96
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GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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  b. 79-80

No indication in GC (→GE) & FE

dimi-nu-en-do- in EE

dim. - - suggested by the editors

The authenticity of the diminuendo indication included in EE does not raise any doubts, although one cannot entirely exclude an editorial revision under the influence of analogy with bars 15-16. It seems to be more likely that Chopin overlooked the discussed place at the time of completing performance indications in GC – bar 79 is the first one written out with notes after the 10-bar-long briefly written section, which could have distracted the composer. In the main text we include the indication of EE in the form in which Chopin would write similar indications in GC (see the note to bars 33-34).

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues:

notation: Verbal indications

Missing markers on sources: GC, FE1, FE2, FED, FEJ, FES, GE1, GE1a, GE2, GE3, EE1, EE2, EE3