



Articulation, Accents, Hairpins
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b. 74
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composition: Op. 64 No 3, Waltz in A♭ major
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In the editions the category imprint: Differences between sources issues: Long accents , Inaccuracies in FE , Placement of markings |
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b. 93-102
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composition: Op. 64 No 3, Waltz in A♭ major
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The category imprint: Differences between sources issues: GE revisions |
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b. 107-108
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composition: Op. 64 No 3, Waltz in A♭ major
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The moment of the beginning of the category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in FE , Scope of dynamic hairpins , Errors in GE |
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b. 110-111
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composition: Op. 64 No 3, Waltz in A♭ major
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According to us, the notation of A clearly suggests a continuation of the category imprint: Interpretations within context; Differences between sources issues: Scope of dynamic hairpins , Errors in GE , EE inaccuracies |
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b. 117
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composition: Op. 64 No 3, Waltz in A♭ major
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At the return of the main theme (bars 109-140), Chopin provided the last crotchet of the bars opening new phrases with an accent, in every place where they were written out. Therefore, it seems to be highly likely that the accent is to be applied also here and that its absence is an oversight of Chopin, resulting from the use of the brief notation of certain fragments. category imprint: Interpretations within context; Editorial revisions issues: Inaccuracies in A |
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