mUltimate Chopin

Page:

Source:

p. 7, b. 115-124

p. 1, b. 1-22

p. 2, b. 23-49

p. 3, b. 50-76

p. 4, b. 77-92

p. 5, b. 93-104

p. 6, b. 105-114

p. 7, b. 115-124

p. 8, b. 125-140

p. 9, b. 141-153

p. 10, b. 154-168

p. 11, b. 169-180

p. 12, b. 181-204

p. 13, b. 205-219

p. 14, b. 220-230

p. 15, b. 231-240

p. 16, b. 241-250

p. 17, b. 251-267

p. 18, b. 268-286

p. 19, b. 287-298

p. 20, b. 299-313

p. 21, b. 314-327

p. 22, b. 328-348

Main text

½A - Semi-autograph

A - Autograph of the piano part

Morch - Manuscript of the orchestra part

GE - German edition

GE1 - First German edition

GE1a - Retouched impression of GE1

GE2 - Second German edition

FE - French edition

FE1 - First French edition

FE2 - Corrected impression of FE1

FED - Dubois copy

FEJ - Jędrzejewicz copy

FES - Stirling copy

EE - English edition

EE1 - First English edition

EE2 - Revised impression of EE1

EE3 - Corrected impression of EE2

Select notes:

mark annotations

Category

Notation

Differences

No differences

½A - Semi-autograph

A - Autograph of the piano part

Morch - Manuscript of the orchestra part

GE - German edition

GE1 - First German edition

GE1a - Retouched impression of GE1

GE2 - Second German edition

FE - French edition

FE1 - First French edition

FE2 - Corrected impression of FE1

FED - Dubois copy

FEJ - Jędrzejewicz copy

FES - Stirling copy

EE - English edition

EE1 - First English edition

EE2 - Revised impression of EE1

EE3 - Corrected impression of EE2

Importance

Undo Clear

transcript

Prezentacja

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copy link Main text

b. 120

Two strokes pencilled into FED below the 3rd semiquaver of the bar are probably meant to make the barely visible ledger lines more distinct.

Compare the passage in the sources»

category imprint: Source & stylistic information

issues: Annotations in teaching copies, Annotations in FED

notation: Pitch

Missing markers on sources: GE1, A, GE1a, Morch, GE2, FE1, FE2, FES, FED, FEJ, EE1, EE2, EE3

Complete ➔

Op. 21, Concerto in F minor, Mvt I