



Articulation, Accents, Hairpins
b. 150
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composition: Op. 22, Polonaise category imprint: Differences between sources issues: Long accents , GE revisions , EE inaccuracies |
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b. 152
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composition: Op. 22, Polonaise
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In the main text we suggest a long accent after an analogous situation in b. 150. The mark was also added in EE; however, a short accent was used (like in the vast majority of cases). category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 153-157
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composition: Op. 22, Polonaise
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FE feature long accents under the last quaver in b. 153, 154 and 156. GE reproduced them as a short category imprint: Differences between sources issues: Long accents , EE revisions , Inaccuracies in GE |
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b. 155
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composition: Op. 22, Polonaise
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The missing staccato mark must be an inaccuracy. In the main text we suggest a wedge, like in the analogous bars. Staccato was also marked in EE, yet with a dot, like in the L.H. category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 155
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composition: Op. 22, Polonaise
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The missing accent in FE (→GE) is probably an inaccuracy related to the transition to a new line. The mark was added in EE (as a short accent). In the main text we suggest a long accent, like in analogous motifs. category imprint: Differences between sources; Editorial revisions issues: EE revisions |