mUltimate Chopin

Page:

Source:

p. 14, b. 188-201

p. 1, b. 1-27

p. 2, b. 28-40

p. 3, b. 41-54

p. 4, b. 55-69

p. 5, b. 70-84

p. 6, b. 85-97

p. 7, b. 98-110

p. 8, b. 111-125

p. 9, b. 126-138

p. 10, b. 139-148

p. 11, b. 149-159

p. 12, b. 160-173

p. 13, b. 174-187

p. 14, b. 188-201

p. 15, b. 202-213

p. 16, b. 214-226

p. 17, b. 227-238

p. 18, b. 239-252

p. 19, b. 253-264

p. 20, b. 265-279

Main text

FE - French edition

FE1 - First French edition

FED - Dubois copy

GE - German edition

GE1 - First German edition

GE1a - Retouched impression of GE1

GE2 - Second German edition

GE3 - Corrected impression of GE2

EE - English edition

EE1 - First English edition

EE2 - Changed impression of EE1

Select notes:

mark annotations

Category

Notation

Differences

No differences

FE - French edition

FE1 - First French edition

FED - Dubois copy

GE - German edition

GE1 - First German edition

GE1a - Retouched impression of GE1

GE2 - Second German edition

GE3 - Corrected impression of GE2

EE - English edition

EE1 - First English edition

EE2 - Changed impression of EE1

Importance

Undo Clear

transcript

Prezentacja

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copy link Main text

b. 195-197

Staccato dot in FE (→GE)

3 wedges in EE

3 dots suggested by the editors

Like in b. 51-53, of which the discussed bars are a literal repetition, the staccato dot under the bass B₁ note is present in FE (→GE) only the first time (in b. 51). In the main text we add the two remaining dots. The marks were also added in EE, yet the dots were arbitrarily changed to wedges.

Compare the passage in the sources»

category imprint: Differences between sources; Editorial revisions

issues: EE revisions

notation: Articulation, Accents, Hairpins

Missing markers on sources: EE2, EE1, FE1, FED, GE1, GE1a, GE2, GE3

Complete ➔

Op. 22, Polonaise