Fingering
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b. 296
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composition: Op. 11, Concerto in E minor, Mvt I
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The compliant fingering of EE and the one written in FEH does not influence the evaluation of their uncertain authenticity. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FEH |
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b. 296-297
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composition: Op. 11, Concerto in E minor, Mvt I
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The first finger on a is given in all three sources containing fingering, and it is this digit that we include in the main text. Further indications of FEH, written by a foreign hand, present one of the possibilities of fingering this fragment; it is difficult to evaluate the likelihood of their authenticity, rather inconsiderable. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Annotations in FEH |
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b. 298
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composition: Op. 11, Concerto in E minor, Mvt I
category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FEH |
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b. 298
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composition: Op. 11, Concerto in E minor, Mvt I
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The fingering digit, written in FED between the staves, could also refer to d category imprint: Graphic ambiguousness; Differences between sources |
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b. 310
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we do not give here the fingering of FEFo, most probably coming from Chopin, since we have already included a version of that entry, expanded with one digit, in analogous bar 294. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FEFo |
1 in the R.H., which is, however, much less likely from the pianistic point of view.
