



Articulation, Accents, Hairpins
b. 465
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composition: Op. 11, Concerto in E minor, Mvt I
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A comparison with analogous bar 463 points to a possible oversight of an accent at the beginning of the bar. Our two suggestions correspond to two kinds of accents included in the sources in bars 463 and 465. category imprint: Editorial revisions |
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b. 470
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composition: Op. 11, Concerto in E minor, Mvt I
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It is difficult to interpret the intense entry in FED, although it was most probably repeated a few times. According to us, it is an accent, probably long, on the d category imprint: Graphic ambiguousness; Differences between sources |
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b. 474
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we reproduce the category imprint: Differences between sources issues: Errors in GE |
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b. 477
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composition: Op. 11, Concerto in E minor, Mvt I
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In the context of increasing dynamics, the absence of accents must be considered an inaccuracy – FE most probably overlooked the marks due to the transition to a new page. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 493
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composition: Op. 11, Concerto in E minor, Mvt I
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According to us, the accent emphasising the beginning of the second phrase is of structural significance and should not be omitted. category imprint: Editorial revisions |