mUltimate Chopin

Op. 50 No. 3, Mazurka in C♯ minor

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Page: 
Source: 
p. 6, b. 163-192
p. 1, b. 1-26
p. 2, b. 27-58
p. 3, b. 59-98
p. 4, b. 99-132
p. 5, b. 133-162
p. 6, b. 163-192
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AI - Working autograph
AF - Autograph fair-copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
EE - English edition
EE1 - First English edition
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AI - Working autograph
AF - Autograph fair-copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
EE - English edition
EE1 - First English edition
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  b. 167

On the 2nd beat of the bar in AI, there are no naturals lowering f to f and d1 to d1. Chopin's inaccuracy is proven by an analogy with b. 159, by the presence of d both in the D major key in b. 165 and F major key starting from the 2nd beat of b. 166 and, above all, by the presence of these naturals in all the remaining sources.

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources

issues: Accidentals in different octaves, Omission of current key accidentals

notation: Pitch

Missing markers on sources: AF, AI, FE1, FED, GE1, GE2, EE1
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