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Slurs

b. 252-253

composition: Op. 43, Tarantella

 
 
 
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In all the sources except A the slur over the phrase ends in b. 251. In GE the same slur extends over to the first note of b. 252. The first beat of b. 252 is covered by a separate slur in these sources.

category imprint: Interpretations within context; Differences between sources

issues: GE revisions , Inaccuracies in FC

b. 252-259

composition: Op. 43, Tarantella

 
 
 
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In GE2 (→GE3>GE4) each beat of bars 252-259 is slurred in LH. In GE1 only the first slur is notated over the 252-253 bar line. In FE (→IE) there are only two slurs over the first and second beat of 258 i 259, and in  EE only the last one was retained.

In A and FC3 this part is not written out with notes in the LH part - the notes are replaced by repetition of bars. However in A the first slur in this part is notated, while there is no such slur in FC3.

category imprint: Differences between sources

issues: Inaccuracies in GE , Inaccuracies in FE , EE inaccuracies

b. 252

composition: Op. 43, Tarantella

 
 
 
 
..

Every beat in bars 252-259 (starting with the second beat) in A, FC3 and EE is slurred. In FE (→IE) the first beat of b. 259 is not slurred. In GE4 only bars 252-255 are slurred. In GE1 (→GE2GE3) there are no slurs in this part at all.

category imprint: Differences between sources

issues: Inaccuracies in GE , Inaccuracies in FE

b. 259

composition: Op. 43, Tarantella

 
 
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In GE g2 in RH is not tied. And in GE4 there is redundant  before this note.

category imprint: Differences between sources

issues: Inaccuracies in GE , GE revisions

b. 260

composition: Op. 43, Tarantella

 
 
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In GE slur begins right at the beginning of the bar.

category imprint: Differences between sources

issues: GE revisions