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Ornaments

b. 286

composition: Op. 44, Polonaise in F♯ minor

Arpeggio in GE, FE & EE2 (→EE3)

No mark in EE1

..

The absence of the mark in EE1 is most probably an oversight of the engraver, corrected in EE2 (→EE3).

category imprint: Differences between sources

issues: EE revisions , Errors in EE

b. 288

composition: Op. 44, Polonaise in F♯ minor

Arpeggio in GE

No mark in FE (→EE)

..

Like in analogous b. 55, it seems unlikely that Chopin would have wanted to forgo an arpeggio in this figure. The missing arpeggio in FE could be explained by an oversight in the basis or by it having been entered into [A] after [FC] (→FE) had been finished.

category imprint: Differences between sources

b. 289-293

composition: Op. 44, Polonaise in F♯ minor

 in GE

in FE (→EE)

..

The trills in b. 289 and 293 are written down in GE without a wavy line after the  mark. In the main text we give the more suggestive version of notation of FE (→EE).

category imprint: Differences between sources

b. 290

composition: Op. 44, Polonaise in F♯ minor

Slur in GE, literal reading

Arpeggio sign in GE (contextual interpretation) & FE

No sign in EE

..

As was the case with analogous b. 31, the slur of GE, although formally correct, is most probably inaccurate and marks a grace note and an arpeggio (written down as a vertical slur), as was conveyed in FE. The absence of a slur (arpeggio) in EE, whatever the reason, cannot be authentic.

category imprint: Differences between sources

issues: Inaccuracies in GE

b. 292

composition: Op. 44, Polonaise in F♯ minor

No mark in FE (→EE) & GE

Arpeggio sign suggested by editors

..

Like in b. 59, in the main text we add an arpeggio on the basis of a comparison with b. 33 and 109.

category imprint: Editorial revisions