Page: 
Source: 
p. 3, b. 41-55
p. 1, b. 1-21
p. 2, b. 22-40
p. 3, b. 41-55
p. 4, b. 56-73
p. 5, b. 74-90
p. 6, b. 91-109
p. 7, b. 110-125
p. 8, b. 126-140
p. 9, b. 141-155
p. 10, b. 156-172
p. 11, b. 173-187
p. 12, b. 188-205
p. 13, b. 206-223
p. 14, b. 224-244
p. 15, b. 245-264
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Altered impression of GE1
GE3 - Revised impression of GE2
GE4 - Corrected impression of GE3
GE1a - Album German edition
EE - English edition
EE1 - First English edition
EE2 - Amended impression of EE1
EE3 - Revised impression of EE2
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Graphic ambiguousness
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Rhythm
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Articulation, Accents, Hairpins
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Altered impression of GE1
GE3 - Revised impression of GE2
GE4 - Corrected impression of GE3
GE1a - Album German edition
EE - English edition
EE1 - First English edition
EE2 - Amended impression of EE1
EE3 - Revised impression of EE2
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  b. 45-47

f1 & f2 in A (→FEEE1)

f1 & f2 in GE & EE2 (→EE3)

f1 & f2 with naturals suggested by the editors

In A (→FE,EE1), there is no accidental to f1, the 1st quaver in b. 45 and f2, the 1st quaver in b. 47. It made the reviser of GE, and then also of EE2 (→EE3), to consider it Chopin's mistake and to add a  to each of those notes. To avoid any doubts, in the main text we add cautionary naturals to them, in spite of the fact that there are no f notes in the preceding bars.

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category imprint: Differences between sources; Editorial revisions

issues: EE revisions, GE revisions, Cautionary accidentals

notation: Pitch

Missing markers on sources: A, FE1, FE2, FED, GE1, GE2, GE3, GE4, GE1a, EE1, EE2, EE3