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b. 664

composition: Op. 31, Scherzo in B♭ minor

No marking in A (→FE→EE)

in FC (→GE)
..

Chopin added the  indication in FC (→GE) in b. 213, and the discussed bar is a repetition thereof.

category imprint: Differences between sources

b. 664-665

composition: Op. 31, Scherzo in B♭ minor

No indication in A (→FE→EE)

dolce in bar 664 in FC (→GE1)

dolce in bar 665 in GE2 (→GE3)
..

According to Chopin, these bars were supposed to be an exact repetition of b. 213-214. Therefore, in the main text we give the dolce indication in b. 664, in accordance with the Chopinesque entry in b. 213 in FC (→GE1). In subsequent GE the indication was arbitrarily moved to b. 665, probably by analogy with b. 81-82.

category imprint: Differences between sources

issues: GE revisions

b. 664-665

composition: Op. 31, Scherzo in B♭ minor

in FC (→GE1)

Shorter  in GE2 (→GE3)
..

In the main text we give the  mark entered by Chopin into FC (→GE1) in b. 213-214. In subsequent GE – like in analogous b. 81-82 and 213-214 – the mark was arbitrarily placed between  and dolce.

category imprint: Differences between sources

issues: Scope of dynamic hairpins , GE revisions

b. 665-666

composition: Op. 11, Concerto in E minor, Mvt I

Fingering written into FED

No teaching fingering
..

The fingering in FED quite significantly differs from the other entries in this copy in terms of size and font, so it seems that it could not have been written by Chopin or Miss O'Meara. In spite of that, the fingering is practically identical with the one that Chopin wrote above a similar sequence of chromatic fourths in the copy of the Grand Duo Concertant, Dbop. 29 belonging to Miss Forest.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 666-669

composition: Op. 31, Scherzo in B♭ minor

No signs in A (→FE→EE)

  in FC (→GE1)

  in GE2 (→GE3)
..

In the main text we reproduce the   hairpins after FC (→GE1), into which they were entered by Chopin (in b. 215-218, see the note to b. 658-682). The changes in the range of the marks introduced in GE2 (→GE3) do not stem from Chopin's notation.

category imprint: Differences between sources

issues: Scope of dynamic hairpins , GE revisions