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b. 678

composition: Op. 31, Scherzo in B♭ minor

No mark in A (→FE→EE)

 in FC (literal reading→GE1)

Short accent in GE2 (→GE3)

Long accent suggested by the editors
..

According to Chopin, this bar is supposed to be a repetition of b. 227. Due to the reasons discussed in the note concerning that bar, in the main text we interpret the mark written there by Chopin as a long accent. A similar solution was adopted also in GE2 (→GE3).

category imprint: Graphic ambiguousness; Differences between sources

issues: GE revisions

b. 678-679

composition: Op. 31, Scherzo in B♭ minor

Slur in A

No slur in FC (→GE) & FE (→EE)
..

The discussed bars are an exact repetition of b. 227-228. The slur written there in A over the b-a motif was not repeated in derivative sources, both there and here. See also b. 95-96.

category imprint: Differences between sources

issues: Errors in FE

b. 679

composition: Op. 11, Concerto in E minor, Mvt I

..

In the main text, we add cautionary sharps before the f​​​​​​​ notes. Accidentals in the R.H. were added already in GE.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 681-682

composition: Op. 31, Scherzo in B♭ minor

No sign in A (FE→EE)

 in FC (→GE1)

 in GE2 (→GE3)
..

In the main text we give a  hairpin, written by Chopin in FC (→GE1) in b. 230 (the discussed bar is a repetition thereof). Just like there, subsequent GE arbitrarily shortened the mark and moved it over the top stave.

category imprint: Differences between sources

issues: Scope of dynamic hairpins , GE revisions

b. 682

composition: Op. 31, Scherzo in B♭ minor

No sign in A (→FE→EE)

 in FC (→GE1)

 in GE2 (→GE3)
..

In the main text we give the  hairpin added by Chopin in FC (→GE1) in b. 231, of which the discussed bar is a repetition. Just like there, the beginning of the  mark was arbitrarily moved in GE2 (→GE3).

category imprint: Differences between sources

issues: Scope of dynamic hairpins , GE revisions