



b. 237-238
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composition: (Op. 4), Sonata in C minor, Mvt I
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In the main text we do not include the inauthentic fingering added by EE. category imprint: Differences between sources issues: EE revisions |
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b. 237
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composition: (Op. 4), Sonata in C minor, Mvt I
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The extension of the e category imprint: Differences between sources issues: Errors in GE |
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b. 237
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composition: (Op. 4), Sonata in C minor, Mvt I
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The traces of erasure visible in A prove that some marks in the bottom part of the stave were being removed. Perhaps Chopin initially wrote the L.H. part in the 2nd half of the bar an octave lower (by mistake – cf. the Ballade in G minor, Op. 23, bars 159-160). category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A |
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b. 239-241
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composition: (Op. 4), Sonata in C minor, Mvt I
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In the main text we do not include the inauthentic fingering concerning the L.H. octaves, added by EE. category imprint: Differences between sources issues: EE revisions |
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b. 239-240
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composition: (Op. 4), Sonata in C minor, Mvt I
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The meaning of the 3 slurs/ties in bar 239 visible in A (→GE→EE) is unclear, since they are not continued in the next bar, which opens a new line. One can see them as "tenuto-slurs", sometimes found in Chopin's autographs or as unfinished ties (to e category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions issues: FE revisions , Uncertain slur continuation , Tenuto slurs , |