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b. 240-246
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composition: (Op. 4), Sonata in C minor, Mvt I
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In A the L.H. part is written in shorthand – only top octave notes and the con 8 - - - indication. GE (→FE,EE) wrote the octaves in full only in bars 240-243; it was only IE that wrote the entire section in full. category imprint: Differences between sources issues: GE revisions , Abbreviated octaves' notation , |
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b. 240
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composition: (Op. 4), Sonata in C minor, Mvt I
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The EE2 version resulted from a misunderstanding of the original notation – the reviser changed the writing from three-part to two-part. category imprint: Differences between sources issues: EE revisions |
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b. 240
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composition: (Op. 4), Sonata in C minor, Mvt I
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The deletions visible in A at the beginning of the bar reveal that Chopin initially wrote d category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Cautionary accidentals , Deletions in A , Enharmonic corrections |
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b. 241-244
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composition: (Op. 4), Sonata in C minor, Mvt I
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In the main text we do not include the inauthentic fingering concerning the R.H. thirds added by EE. category imprint: Differences between sources issues: EE revisions |
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b. 244
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composition: (Op. 4), Sonata in C minor, Mvt I
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In the main text we add cautionary naturals to the F1-F octave. category imprint: Editorial revisions |
1 as the bottom note of the 1st chord, accompanied by F
to the next d1 crotchet was most probably meant to cancel the alteration and not to perform the role of a cautionary accidental following d
in the preceding bar.
