



Pitch
b. 385
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composition: Op. 11, Concerto in E minor, Mvt III
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The last octave in bar 385 having been moved an octave lower is a revision introduced in GE3, most probably to keep the general shape of the melody (however, one cannot rule out a common mistake). category imprint: Differences between sources issues: GE revisions |
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b. 386
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composition: Op. 11, Concerto in E minor, Mvt III category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions |
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b. 387
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composition: Op. 11, Concerto in E minor, Mvt III
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In FE, there is no accidental before the 2nd chord. The inaccuracy was corrected in the remaining editions by adding a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions |
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b. 388
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composition: Op. 11, Concerto in E minor, Mvt III
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FE does not contain any accidentals in the last semiquaver triplet. The patent inaccuracy was rectified in GE and EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions |
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b. 389
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composition: Op. 11, Concerto in E minor, Mvt III
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In FE (→EE,GE1→GE2), the 2nd half of the bar is written with the help of octave sign; at the same time, FE (→GE1→GE2) does not contain a single accidental therein. EE tried to correct the inaccuracy by adding sharps before e category imprint: Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions |