



Pitch
b. 118
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composition: Op. 44, Polonaise in F♯ minor
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In the main text we give the text corrected by Chopin in FE (→EE) – all the sources have versions strictly analogous to b. 94. Likewise in b. 120. category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: EE revisions , Errors resulting from corrections , Authentic corrections of FE , Main-line changes |
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b. 119-122
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composition: Op. 44, Polonaise in F♯ minor
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In the main text we do not include the cautionary naturals present in FE (→EE) next to certain F and f quavers, since we are convinced that the F1-F octave at the beginning of each of the discussed bars dissipates any doubts as to the sound of those notes. category imprint: Differences between sources; Editorial revisions issues: Cautionary accidentals |
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b. 120
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composition: Op. 44, Polonaise in F♯ minor
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As was the case with b. 96, in the main text we give the version corrected by Chopin in FE (→EE). category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Main-line changes |
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b. 122
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composition: Op. 44, Polonaise in F♯ minor
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Naturals instead of flats before the last demisemiquaver (in both hands) is probably a mistake of the engraver of GE1, repeated in GE2. In turn, in EE we can assume a revision, since an analogous version with c notes is also in b. 98 there. category imprint: Differences between sources issues: EE revisions , Errors in EE , Errors in GE |
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b. 132
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composition: Op. 44, Polonaise in F♯ minor
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According to us, the version of FE (→EE) most probably resulted from a misinterpretation of the manuscript – in Chopin's and Fontana's manuscripts it can be difficult to determine whether a chord contains a middle note on a ledger line – cf., e.g. the Etude in A category imprint: Differences between sources issues: Inaccuracies in FE , Uncertain notes on ledger lines |