



b. 731
|
composition: Op. 31, Scherzo in B♭ minor
..
The missing staccato dot in FE (→EE) and GE must be a result of oversights. We can excuse the engraver of GE, since the dot in FC looks like the ending of the octave's stem and is hard to perceive. category imprint: Differences between sources issues: Errors in FE , Errors in GE |
|||
b. 732
|
composition: Op. 31, Scherzo in B♭ minor category imprint: Differences between sources issues: Errors of FC |
|||
b. 734
|
composition: Op. 31, Scherzo in B♭ minor
..
In the main text we add cautionary flats before B category imprint: Editorial revisions |
|||
b. 736
|
composition: Op. 31, Scherzo in B♭ minor category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A |
|||
b. 748-749
|
composition: Op. 31, Scherzo in B♭ minor
..
In A one can see that Chopin initially wrote sempre piu stretto as an agogic indication for this eight-bar section (over the top stave). According to us, cresc. between the staves was written at the same time, which is indicated by the fact that both indications begin at the same moment of the bar. Chopin then decided to merge both indications by deleting sempre piu stretto above and adding stretto e before cresc. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A |