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b. 731

composition: Op. 31, Scherzo in B♭ minor

Staccato dot in A (→FC)

No mark in FE (→EE) & GE

..

The missing staccato dot in FE (→EE) and GE must be a result of oversights. We can excuse the engraver of GE, since the dot in FC looks like the ending of the octave's stem and is hard to perceive.

category imprint: Differences between sources

issues: Errors in FE , Errors in GE

b. 732

composition: Op. 31, Scherzo in B♭ minor

Staccato dot in A (→FEEE)

No mark in FC (→GE)

..

The missing staccato dot in FC (→GE) must be an oversight of the copyist.

category imprint: Differences between sources

issues: Errors of FC

b. 734

composition: Op. 31, Scherzo in B♭ minor

..

In the main text we add cautionary flats before B and b.

category imprint: Editorial revisions

b. 736

composition: Op. 31, Scherzo in B♭ minor

..

In A one can see that both in this and in analogous b. 744 Chopin deleted the  indications in A.

category imprint: Corrections & alterations; Source & stylistic information

issues: Corrections in A , Deletions in A

b. 748-749

composition: Op. 31, Scherzo in B♭ minor

..

In A one can see that Chopin initially wrote sempre piu stretto as an agogic indication for this eight-bar section (over the top stave). According to us, cresc. between the staves was written at the same time, which is indicated by the fact that both indications begin at the same moment of the bar. Chopin then decided to merge both indications by deleting sempre piu stretto above and adding stretto e before cresc.

category imprint: Corrections & alterations; Source & stylistic information

issues: Corrections in A , Deletions in A