Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


b. 219-222

composition: (Op. 4), Sonata in C minor, Mvt I

..

In the main text we add cautionary flats to b in bar 219 and 221 and naturals to d1 in bar 220 and 222. 

category imprint: Editorial revisions

b. 220-222

composition: (Op. 4), Sonata in C minor, Mvt I

in sources

 with  suggested by the editors

..

As in analogous bar 60 and 62, in the main text we specify the pitch of the top note of the ornament in bar 220 and 222, that is d3(2).

category imprint: Editorial revisions

issues: Omission of current key accidentals , Inaccuracies in A

b. 224-225

composition: (Op. 4), Sonata in C minor, Mvt I

No fingering in A (→GEFE,EE1,IE)

Fingering in EE2

..

In the main text we do not include the inauthentic R.H. part fingering added by EE2.

category imprint: Differences between sources

issues: EE revisions

b. 226

composition: (Op. 4), Sonata in C minor, Mvt I

..

Due to the reasons discussed in analogous bar 66, in the main text we add a dot prolonging the g1 crotchet, left out by the sources, probably by inadvertence.

category imprint: Editorial revisions

issues: Errors of A

b. 227

composition: (Op. 4), Sonata in C minor, Mvt I

No fingering in A (→GEFE,IE)

Fingering after EE

..

In the main text we do not include the inauthentic R.H. part fingering added by EE.

category imprint: Differences between sources

issues: EE revisions