mUltimate Chopin

(Op. 4), Sonata in C minor, Mvt I

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b. 215-218

composition: (Op. 4), Sonata in C minor, Mvt I

No fingering in A (→GE→FE,IE)

Fingering in EE
..

In the main text we omit the inauthentic R.H. part fingering added by EE.

category imprint: Differences between sources

issues: EE revisions

b. 215

composition: (Op. 4), Sonata in C minor, Mvt I

..

In A the arpeggio wavy line is on the right of the chord. According to us, it does not influence the meaning of this mark, hence we reproduce this notation only in the graphic transcription (version "transcript"). The editions put this mark in its regular position, before the chord.

category imprint: Interpretations within context; Differences between sources

issues: Inaccuracies in A

b. 218

composition: (Op. 4), Sonata in C minor, Mvt I

..

In the main text we add a cautionary  to d2.

category imprint: Editorial revisions

b. 218

composition: (Op. 4), Sonata in C minor, Mvt I

b2-g3 in A (→GE→FE,IE)

b2-f3 in EE
..

The EE version of the last quaver must be wrong – the position of the notehead of this f3 (too high) proves that the engraver forgot to write a ledger line for this note.

category imprint: Differences between sources

issues: Errors in EE

b. 219-221

composition: (Op. 4), Sonata in C minor, Mvt I

No fingering in A (→GE→FE,IE)

Fingering in EE
..

In the main text we do not include the inauthentic R.H. part fingering added by EE.

category imprint: Differences between sources

issues: EE revisions