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(Op. 4), Sonata in C minor, Mvt I

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b. 105

composition: (Op. 4), Sonata in C minor, Mvt I

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In the main text we omit the unnecessarily repeated  to the d1 quaver, present in all sources.

category imprint: Editorial revisions

issues: Cautionary accidentals

b. 106

composition: (Op. 4), Sonata in C minor, Mvt I

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At the beginning of the bar, in IE the crotchet in the bottom R.H. voice is an f, which is a mistake.

category imprint: Interpretations within context; Differences between sources

issues: Errors in IE

b. 107

composition: (Op. 4), Sonata in C minor, Mvt I

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In A there is no accidental before the last L.H. crotchet. The patent inaccuracy was corrected in GE (→FE,EE,IE).

category imprint: Interpretations within context; Differences between sources

issues: Accidentals in different octaves , GE revisions , Inaccuracies in A

b. 107-108

composition: (Op. 4), Sonata in C minor, Mvt I

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In the main text we add cautionary accidentals in the R.H. part: a  to e1 in bar 107 and a  to d1 in bar 108. 

category imprint: Editorial revisions

b. 108

composition: (Op. 4), Sonata in C minor, Mvt I

b in A (→GE→FE,IE)

c1 in EE, contextual interpretation
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When interpreted literally, in EE the semibreve at the beginning of the bar is a c1. It is a mistake by the engraver, who wrote a ledger line across a note put at the right pitch. In the content transcription we consider this note to be a c1, as it seems that due to the c1 crotchet, which directly precedes it, this is how this notation was most probably interpreted. In the main text we provide the unquestionable version of the remaining sources, which is b. 

category imprint: Interpretations within context; Differences between sources

issues: Errors in EE , Errors repeated in EE