



Slurs
b. 252-253
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composition: (Op. 4), Sonata in C minor, Mvt IV
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The A slur must be inaccurate, as it only reaches f3 – cf. the endings of the analogous slurs in bars 244-245 and 248-249. Therefore, in the main text we suggest a slur to g3 in bar 253, modelled after those slurs. In GE (→FE,EE,IE) the slur was routinely revised by extending it to the end of the bar. category imprint: Differences between sources; Editorial revisions issues: Inaccurate slurs in A , GE revisions |
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b. 257-265
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In the main text we suggest slurs modelled on the ones precisely marked by Chopin in the analogous phrases in bars 56-64. category imprint: Editorial revisions |
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b. 276
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composition: (Op. 4), Sonata in C minor, Mvt IV
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The A slurs were almost certainly divided due to graphical reasons – Chopin would generally write slurs on the side of noteheads, often at the expense of accuracy, cf., e.g. I mov., bars 179-183. The fact that this version was left in A allows us to assume that Chopin considered both variants of slurs to be equal, hence in the main text we provide the continuous slur of GE (→FE,EE,IE). category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 281-282
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composition: (Op. 4), Sonata in C minor, Mvt IV
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It is difficult to imagine that the literal interpretation of the A slur, which does not include 3 (or 2) outermost quavers belonging to the chromatic scale, could have corresponded to Chopin's intention. Therefore, we consider it one of the many inaccuracies of A in this respect; in the main text we include the interpretation of this slur adopted to GE (→FE,EE,IE). category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions issues: Inaccurate slurs in A , GE revisions |
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b. 282-283
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composition: (Op. 4), Sonata in C minor, Mvt IV
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The omission of the slurs/ties between the chords is an oversight by the engraver of GE (→FE,EE,IE). It cannot be ruled out that the engraver did not insert the slurs due to doubts regarding their significance and position with respect to the arpeggio wavy line. category imprint: Differences between sources issues: Errors in GE |