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b. 187-192
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composition: (Op. 4), Sonata in C minor, Mvt I
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In the main text we omit the inauthentic R.H. part fingering added by EE in bar 187, 189 and 191-192. category imprint: Differences between sources issues: EE revisions |
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b. 187-188
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composition: (Op. 4), Sonata in C minor, Mvt I
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The A slurs are most probably inaccurate, which was deciphered already in GE (→FE,EE,IE). The majority of similar motifs are devoid of slurs, yet the first one provided with a slur (bar 17) clearly shows how Chopin envisioned its range in such situations. The fact that the slurs should end before the rest is also evidenced by the authentic slurs in bars 90-91 and 92-93. The issue concerning the slur's starting point – see the note on bars 17-20. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A , GE revisions |
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b. 194
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composition: (Op. 4), Sonata in C minor, Mvt I
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In the main text we suggest a slur under the quaver group after the analogous situations in bar 16 and 42. GE (→FE,EE,IE) also added a slur. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 194
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composition: (Op. 4), Sonata in C minor, Mvt I
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Starting from the 2nd crotchet in the bar Chopin used a shorthand form of notation to write the L.H. octaves – top notes only with the words con 8 - - -. In GE (→FE,EE,IE) the octaves were written in full. category imprint: Differences between sources issues: GE revisions , Abbreviated octaves' notation |
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b. 194
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composition: (Op. 4), Sonata in C minor, Mvt I
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In the main text we omit the unjustified cautionary flats to the 1st quaver, E category imprint: Editorial revisions issues: Cautionary accidentals |
1-E