|
b. 194
|
composition: (Op. 4), Sonata in C minor, Mvt I category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
||||||||
|
b. 195-199
|
composition: (Op. 4), Sonata in C minor, Mvt I
..
In the main text we omit the inauthentic L.H. part fingering added by EE in bar 195 and 199. category imprint: Differences between sources issues: EE revisions |
||||||||
|
b. 195
|
composition: (Op. 4), Sonata in C minor, Mvt I
..
In the main text we suggest adding the espressivo indication after the analogous one in the exposition (bar 17). category imprint: Editorial revisions |
||||||||
|
b. 196-197
|
composition: (Op. 4), Sonata in C minor, Mvt I
..
In the main text we keep the A notation, devoid of slurs, since the performance manner of bar 196 is already obvious; however, the range of a possible slur in bar 197 could be questionable. The reviser of GE (→FE,EE) did not have such concerns, as he added four-quaver slurs in both bars. The slightly inaccurate ending of the latter one could have made IE prolong the slur in bar 197, as far as to the a1 crotchet, which, however, is not apparent at all in the GE notation. category imprint: Differences between sources issues: GE revisions , |
||||||||
|
b. 198
|
composition: (Op. 4), Sonata in C minor, Mvt I
..
The comparison with the analogous figures in bar 20 and 34 points to a highly likely oversight of the grace note before the last chord (by Chopin). category imprint: Editorial revisions issues: Errors of A |
] suggested by the editors